Georges Kisselhoff was a true pioneer of sound aesthetics in classical music, experimenting as one of the first with quadrophonic recordings, always aiming for the ideal, natural and organic sound. In 2012, a set of original analogue tapes by Kisselhoff was rediscovered, manually cleaned and carefully remastered, using fully analogue equipment. The results are presented in this collection of timeless beauty and unheard audiophile quality. Recorded in 1977 and 1978, Andre Navarra's version is full of presence and breathes musicality in every second. This recording has been awarded with the French "Grand Prix du Disque.
Tuesday, August 6, 2013
Johann Sebastian Bach: The Suites for Violoncello BWV 1007-1012
Johann Sebastian Bach: The Suites for Violoncello BWV 1007-1012
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Georges Kisselhoff was a true pioneer of sound aesthetics in classical music, experimenting as one of the first with quadrophonic recordings, always aiming for the ideal, natural and organic sound. In 2012, a set of original analogue tapes by Kisselhoff was rediscovered, manually cleaned and carefully remastered, using fully analogue equipment. The results are presented in this collection of timeless beauty and unheard audiophile quality. Recorded in 1977 and 1978, Andre Navarra's version is full of presence and breathes musicality in every second. This recording has been awarded with the French "Grand Prix du Disque.
Georges Kisselhoff was a true pioneer of sound aesthetics in classical music, experimenting as one of the first with quadrophonic recordings, always aiming for the ideal, natural and organic sound. In 2012, a set of original analogue tapes by Kisselhoff was rediscovered, manually cleaned and carefully remastered, using fully analogue equipment. The results are presented in this collection of timeless beauty and unheard audiophile quality. Recorded in 1977 and 1978, Andre Navarra's version is full of presence and breathes musicality in every second. This recording has been awarded with the French "Grand Prix du Disque.
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